Takahashi FS-60C and FS-60CB Review
FS-60CB with 6x30 finder.
FS-60C with 5x25 finder. Note the slightly longer tube.
I have a real weakness for tiny, high-quality refractors. Tiny refractors like this work on a number of levels. For one thing, of course, they are very portable and cool down almost instantly. So they are ideal for travel and quick looks.
There is a more serious side to small refractors though – the short focal length makes some very wide-field astro-photography possible. Why not just use a camera lens? Well for a start 355mm is still a pretty large lens and for another, camera lenses often produce less-than-perfect star images when you really zoom in.
The thing about the FS-60 that differentiates it from other small APOs (apart maybe from Borg), though, is that you can build a complete multi-role observing/imaging system around it. Takahashi make a host of reducers, flatteners and extenders to change the optical parameters of the FS-60, including the recently introduced ‘CQ 1.7x Module’ which threads in behind the objective and turns an FS-60C into an FS-60Q, a micro super-APO for the Moon and planets (I have reviewed the FS-60Q in a separate article).
At A Glance
29cm min, 35.5cm incl 1.25” VB
1.5 Kg incl clamshell
Data from Tak/Me.
Design and Build
The FS-60 is the last of Takahashi’s FS refractors that also included 3”, 4”, 5” and 6” models, all now long-discontinued. The ‘FS’ stands for front-surface fluorite: these doublets all have a fluorite element at the front, something which I think adds a bit to contrast, because fluorite scatters light less than any optical glass. Strangely, Borg is now using front-surface-fluorite Optron lenses in its recent small refractors like the 50FL, 67FL, 71Fl and 90FL (and very good they are too), whereas Takahashi have reverted to putting the fluorite at the back in a Steinheil configuration for the newer FC-76 and FC-100 models. However, Takahashi’s latest FOA-60 does also use a front surface fluorite design to achieve its near perfect correction.
One possible disadvantage to putting the fluorite up front is that fluorite degrades in damp conditions.
Unlike other telescopes in the FS series, which were all F8 and primarily designed for visual use (especially planetary and Lunar), the FS-60 is F5.9 (355mm F.L.) and aimed at imagers. Another difference is that the larger FS-series lenses all sit in collimatable cells, whilst FS-60 lens, like other recent Takahashi’s, doesn’t.
On the first FS-60 I owned and originally reviewed - a 2009 model FS-60CB - the lens coatings were not as good as the larger FS models and looked suspiciously like ‘China’ green multi-coatings. This appears to have been a blip: my earlier 2006 FS-60C has proper broadband multi-coatings and later ones appear to as well. But compare the super-transparent coatings on an FS-78.
FS-60CB lens from 2009 – China Green coatings?
FS-60C lens from 2006 – quality multi-coatings.
FS-78 objective with very high quality multi-coatings and adjustable cell.
Fluorite, mating elements and chromatic aberration
A quick comment on chromatic aberration is in order. The FS-60 is known to be less than perfect in this respect and has a similar level of false colour to an F6 ED doublet like a TeleVue TV-60. On the face of it, this seems odd, because the FS-102 has much lower levels of chromatic aberration than the TV-102. Why should this be?
The answer may be the flint glass used in the negative lens of the doublet. Fluorite does not create a superior apochromat on its own, to do so it needs the right glass for the mating element. Another possibility is the simpler design of the FS-60 objective, with little or no air gap. Borg fluorite doublets have a large air-gap which allows for better correction of various aberrations (see laser tests below), so that visually the F4.5 67FL has similar false colour to the F5.9 FS-60, albeit a bit more violet bloat for imaging.
Laser test on FS-60C objective clearly shows the laser disappear in the fluorite element (fluorite, unlike glass, doesn’t scatter a laser).
The Borg 67FL has a significant air gap between the elements; the FS-60 appears not to have.
Two Optron objectives: Borg 67FL and FS-60. Borg cell is larger, more sophisticated, more like larger Taks.
The FS-60 tube is 80mm in diameter, like Borg Series 80, but note that the threads are different, so you can’t interchange with Borg objectives. Some older small Takahashis (the FC-60 and FC-50) and the new FOA-60 have a narrower tube at 68mm diameter.
External finish is the usual Takahashi off-white tube and green enamelled focuser. Note that since 2016 the green focuser enamel has been a slightly bluer shade that doesn’t match older components. The FS-60CB tube has no internal baffling, just flat-black paint, whilst FS-60C has a single baffle.
The FS-60 dew-shield is the same diameter as the tube, reminiscent of a Borg or a late Vixen FL. On the FS-60CB the dew-cap was low-rent black plastic but the older FS-60C has a Takahashi-green pressed steel item like recent Takahashis. The most recent FS-60s have logoed dew-shields like classic Takahashis.
The objective threads off for fitment of the CQ module or an FC-76 objective unit (both sold separately).
The OTA itself is very short (for back-focus and compactness) and will need extensions to come to focus in some cases. Two slightly different models exist, as I have said. The original FS-60C has a slightly longer tube than the later FS-60CB which was introduced to give more in-focus for imagers (to repeat myself, the 2006 model in the photos is an FS-60C; the 2009 model is an FS-60CB). You can convert an FS-60C into an FS-60CB just by buying a new barrel.
The standard visual back is 1.25”, but you can fit a 2” as an accessory. Doing so yields a staggeringly wide maximum field-of-view: 7.4° at 9x with a 40mm Pentax XW, almost identical to the latest Swarovski EL 8.5x42 binoculars, but with much more light gathering power.
The rack-and-pinion focuser is reassuringly familiar: the usual Tak’ green enamelled casting, the familiar silver knobs and oversized tensioner. But unlike the larger FS models, the focuser on the FS-60 has a very short body for compactness, a bit like the one on the Sky-90, but with a smaller (~55mm) diameter drawtube.
My FS-60C has a superb focuser – creamy smooth, precise and free of image shift, with a progressive and shift free lock. In comparison, the FS-60CB I tested was much sloppier, with noticeable image shift on changing focus direction or when using the lock. More on that below.
FS-60 focuser with optional 2” VB.
It goes without saying that the FS-60 is very compact and light-weight. Any small photo tripod would take it and it needs just the smallest counterweight on an equatorial.
Takahashi sell a tiny equatorial mount for the FS-60 – the Teegul Sky Patrol – ideal for eclipse chasers. The Teegul is marketed as a mount specifically for the FS-60 and it makes a surprisingly stable and solid platform for it. The Teegul/FS-60 rig can work in one of two modes: as a true German equatorial or as a half-fork. I have posted a full review of the Teegul which makes an ideal platform for the FS-60.
The FS-60 has a dedicated tube ring that is offset towards the objective end to allow better balance with a heavy camera (or eyepiece). The ring fits the standard Tak’ 2-hole pattern, but also has a central 1/4-20 thread for a photo tripod. This ring also gives much-needed extra clearance on the Teegul.
FS-60C on Teegul SP2 in German equatorial configuration.
FS-60C on Teegul SP2 in half-fork configuration.
The FS-60 is over-mounted on the P2-Z and extremely stable and vibration free as the result:
FS-60 mounted atop my big scope to let the mount find targets and track them for some astrophotography.
Like BMW, Takahashi really start fleecing you on the optional extras. A raft of tasty bits-and-bobs are available for the FS-60, including a flattener, a reducer, a version of the extender-Q, a camera rotator and more besides.
For wide-field imaging, the flattener looks like a bargain: it extends the f-ratio slightly to F6.2, but gives a flat field across full-frame (44mm image circle) and is pretty cheap compared to the reducer.
One of the most interesting accessories is the CQ 1.7x module I mentioned that turns the FS-60 into the FS-60Q (also available as a complete scope: check-out my separate FS-60Q review).
Some desirable FS-60 accessories: Flattener, camera rotator, 2” visual back, FQR finder dovetail.
Another FS-60 accessory, the CQ 1.7 extender module, turns it into a flat-field F10 super-APO.
In theory any Takahashi finder will bolt on, but the FS-60 is usually found with the excellent 6x30 unit. My second FS-60 happened to come with the rare 5x25 finder that I think suits it even better. Either finder has a wide field, sharp optics and lots of eye relief.
In Use – Daytime
It isn’t waterproof, but otherwise the FS-60 makes a great daytime scope – it is light weight, sharp and doesn’t generate too much false colour. Wide-field Tele Vue eyepieces, like Naglers, give wonderful daytime views that beat just about any spotting scope.
My usual test of viewing branches against the sky at ~100x yields just a trace of violet in focus and an over-exposed daytime branches image shows just a small amount of violet:
In Use – The Night Sky
The FS-60 is typical FS-series in many ways. Cool-down is very fast and benign and the views are very sharp and high-contrast. Optical quality is excellent and the FS-60 takes high magnifications easily. Focus snap is precise.
In comparison with the TV60, I think that the FS-60 might yield a tad more contrast, but also (and it’s odd, this) a bit more chromatic aberration as well. Certainly you couldn’t describe the FS-60 as ‘visually CA-free’ in the way the F8 versions are and I’ve discussed why in the ’optics’ section above. Chromatic aberration is not in any way a problem on most visual targets, but at 100x on a bright Moon you can see it as you focus in on the limb. Overall CA levels are very similar to the TV-76 and (curiously) the Borg 67FL which is both larger of aperture and radically fast at F4.5.
The FS-60C focuser is very smooth and accurate, like most Takahashi’s, but on the 2009 FS-60CB there was a major problem: image-shift. I have tested other Tak’s with minor image-shift, but that FS-60CB had too much. At high-power the image really jumped around when changing focus direction. What’s going on? Is this just variation between samples? I don’t think so. You see, many FS-60s end up with big CCD cameras hanging off that compact focuser and I reckon after while it causes wear and play. This isn’t really a criticism: expecting a small focuser to handle several Kgs of CCD is asking a lot. But it would explain why the Taks I have seen with image-shift problems have been imaging models. Either way, check for image shift before buying used.
I have always loved the view of the Moon through FS scopes. There is something about the contrast between the white Moon and absolutely black space, with very little unfocussed light, that makes the FS-series special. Perhaps it’s because fluorite scatters so little (back to that laser result again). Whatever the reason, the FS-60 is no exception. The Moon at 100x with the 3.5mm Nagler was spectacular for a small scope and reminded me why I like fine refractors. The Questar may have shown more detail due its larger aperture, but I thought the overall view was nicer in the Tak’.
If you imagine that a tiny, fast APO can’t do planets you’d be wrong. At 100x with a 3.5mm Nagler the FS-60 showed an impressively sharp and detailed view of Jupiter, with four belts, polar hoods and some cloud belt detail, plus the Great Red Spot. On the night, I thought it provided a view of Jupiter every bit as good as the nearby Zerodur Duplex Questar I also had on test, but did so much more quickly from a warm room.
Mars is a tough object for many refractors. Not only because is it often very small and its features low in contrast, but also because of its colour. Most short focal length doublets suffer spherochromatism and especially so at the red end of the spectrum. In other words their optical quality takes a dive at longer wavelengths. The FS-60 illustrates this point: excellent on other solar system objects, it gives an image of Mars that is a bit woolly and bloated, just like other F6 doublets do.
The FS-60 is ideal for very large DSOs and I really enjoyed using it on the Andromeda Galaxy and the North American Nebula, neither of which fit in most scopes’ FOV.
Of course, it’s only a 60mm ‘scope, but the FS-60 pushes the limits. I managed to split the double-double (2.3”) without difficulty, Rigel too. Many DSOs – M13, the Dumbbell, M42, M56 – looked better than they had any right to in such a small aperture, with the superb contrast and perfect optics helping out.
In Use – Astrophotography
The FS-60 has the potential to take great images of extended objects. To give you an idea of what’s possible, there follow a couple of single frames straight from the camera. The first is an APS-C DSLR frame of M31. Note the field curvature: you would need a flattener or some serious cropping. The second image is full-frame and the curvature gets quite extreme in the corners. In all cases violet bloat is quite well controlled.
As noted above, you can get a cheap full-frame 1.05x flattener for the FS-60 without splashing out for the full-on reducer. This actually extends the focal length slightly to 372mm at F6.2, but the results are excellent, as you can see from the image of M45 taken with it below.
Note that the F6.2 flattener threads directly onto the end of the focuser tube in place of the visual back, but you need an adapter (e.g. Borg’s Camera Mount Adapter part 7000) to connect to a camera T-mount. Note too that coverage is good, but might have been even better with a wide T-mount (Tak’ and Borg make them).
As always, these are single frames straight from the camera, with no stacking and no processing, just reduced in size.
M31: 130s ISO 800, Nikon 5100 APS-C DSLR.
M36: 70s at ISO 1600 with Canon EOS 5D full-frame DSLR.
M45: 88s ISO 1600 with Canon EOS 5D DSLR plus F6.2 Flattener
The FS-60 has too short a focal length to be ideal for solar system imaging (which of course is where that CQ module comes in), but photos of the Moon taken with it have the same qualities that the view does: super sharp and high contrast. In the photo below that wide field enabled me to capture a close approach of the Moon and Jupiter. Interestingly, the FS-60 gives sharper Lunar images than the more extreme F4.5 Borg 67FL.
The Moon and Jupiter (top left) with FS-60: super sharp and wide.
The FS-60 is another excellent Takahashi: tiny and light, yet well-made, razor sharp, with do-anything optics. It has modest false colour on most things and takes high powers well. However, though it is very sharp on-axis, it really needs a flattener for APS-C, let-alone full-frame.
Perhaps the best feature of the FS-60 is its unrivalled flexibility, thanks to the thoughtful native design and copious accessories. Unscrew the objective and plug in the CQ module and it’s a mini planetary scope. Attach the reducer and it’s a 250mm F4 telephoto lens. Even in its basic form, the FS-60 is less extreme than something like a Borg 67FL and so more flexible too (the FS-60 takes great solar system snaps, the 67FL doesn’t).
Am I just imagining it, or is there something about FS-fluorite lenses that gives images with contrast nothing else can quite match? And let’s face it, the FS-60 is cheap for a Takahashi (the next one up – the FC-76 - is over double the price).
Note: My original 2009 FS-60CB seemed to have suffered some cost cutting compared to the 2006 FS-60C that I owned second: too much image shift, poorer coatings, no baffle, a plastic dewcap and rougher castings. From what I can see the latest version is more like that original FS-60C, which is good news for buyers today.
If you get one like my second, the FS-60C is very highly recommended and is one of my all-time favourites, but it’s possible the focuser wears badly if subjected to big CCD cameras, so check for image shift if you’re buying used. Expect to buy a flattener for imaging if you want to make the most of that wide field.