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An Open Letter to The “Alpha” Bino Makers

 

 

Dear Alpha-Bino Maker,

 

I have been getting through quite a few “alpha” binoculars lately and something has been bothering me. Most of you now charge thousands for your premium models and to me that means they should be pretty well perfect. But they’re not.

 

For example, when I tested the Leica Ultravid HD 12x50 earlier this year, I noted the following:

 

·         Not enough eye relief to see the whole field with glasses on.

·         Some residual chromatic aberration on high-contrast subjects.

·         Significant field curvature from about 70% field width.

·         A focuser which lacked the fluidity of the Nikon HGs.

In every other respect the Leica is a gorgeous, superbly engineered binocular. But should I have to compromise at all for a list price of over £2000?

 

 

If TeleVue can do it...

 

I would urge your R&D department to try the following simple steps to improving your products:

 

1)      Buy a TeleVue NP101 or NP127.

2)      Buy a TeleVue Ethos.

3)      Insert 2 into 1.

4)      Observe.

5)      Got out for a beer and discuss.

Seriously, though, if an NP127/Ethos SX can deliver flat-to-the-edge performance with good eye relief, freedom from blackouts and no visible chromatic aberration in a 110° field at 178x, why can’t a Leica Ultravid manage it with a 65° field at 12x?

 

This doesn’t stop with Leica, either, because even the Zeiss FL doesn’t come close. The new Swarovision EL is the nearest to my “two-small APOs” ideal, but it delivers just 60° apparent field and is too small to be an ideal Astro’ binocular.

 

 

The Challenge

 

So I challenge you to come up with a good higher-powered binocular, say at least a 10x50, with the following characteristics:

 

·         No visible in-focus CA.

·         An apparent field of 70° or more.

·         A field which is sharp, flat, bright and coma-free to the edge.

·         Eye relief of at least 16 mm.

·         Minimal blackouts (spherical aberration of the exit pupil in technical terms).

·         A focuser as smooth, fast and accurate as Nikon’s HG range.

·         All the usual features, such as waterproofing, twist-up eyecups, etc.

 

Yours Sincerely

 

Scope Views

 

 

Addendum: I can hear the arguments already:

 

“But an NP127 is F5.2, so it’s easier to make CA free.” Yes, but it has a much larger aperture, so a similar design for a 50mm F3-4 should be possible.

“But an Ethos is HUGE, it couldn’t be a binocular eyepiece.” Indeed, but to achieve a 70° degree field, an Ethos is not required: more like a Panoptic 15mm, which is small and light weight.